Tymmber Outdoor  ·  Narrative Arm  ·  We Create Content  ·  New Mexico  ·  In Development
The Movie
Two Strangers. Four Days. One Fire.

Living on
Hopes and Dreams

A film written by Teri Anne Kopp and Mike Isaacs  ·  Screenplay by Teri Anne Kopp  ·  WGA: 2156326

Two strangers living on hopes and dreams meet by chance in the New Mexico mountains and forge a brief but profound bond that leaves both their lives changed forever.

$12M Production Budget
4 Days · True Story
2 Strangers · One Fire
Impact
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The Story

New Mexico Mountains.
February 2021.

Michael, 62, is living in his aging Denali SUV in the New Mexico mountains, working on his laptop, trying to get his outdoor startup off the ground. He is a man who bet everything on a vision. An entrepreneur operating at the edge of his resources, alone on a ridge with the best views of sunrise and sunset and solid bandwidth — and not much else.

Then a stranger emerges from the desert.

Miguel, early 30s, is a Guatemalan asylum seeker, separated from his group, lost for days with no food or water. He climbed the hill anyway, through a rogue dirt devil, until he found the man at the top. Michael is torn. His phone buzzes with emails from family and friends: send him away. But he makes two sandwiches instead.

Over four days, sitting by the fire and gathering wood, eating meals together on the tailgate of the Denali, they talk — about sisters and children, about the American Dream and what it costs, about a restaurant called Esperanza (Hope) in Miami, about bird pools built from stone in the desert, about a grandfather's three pitchers filled with Faith, Love, and Patience.

“When they don’t respond, they’re not interested. Sweet and simple. Crushing.”

— Miguel, to Michael  ·  Day 4, New Mexico Mountains

On Day 4, Michael drives Miguel to Las Cruces — a tense money wire transfer at Walmart under Covid protocols, a lunch where they nearly walk into a police convoy, and an emotional farewell at a friend’s home where two young girls press colorful artwork into Miguel’s hands before he is whisked into the night.

Three weeks later, Miguel is caught and deported. But months after that, a fourth attempt succeeds. He is working in America now, still chasing the dream. And Michael is still on the road — still building Tymmber, still watching the sunrise from whichever ridge has the best view and the best signal.

Two strangers. Four days. One fire. A story that belongs to every person who ever bet on something that wasn’t guaranteed.


The Writer

Teri Anne Kopp

Teri Anne Kopp
Teri Anne Kopp
Screenplay · Co-Writer
Credits at a Glance
WGA Registration
2156326
IMDb Credits
39 Credits  ·  1989–2015
Known For
True Lies  ·  1994
TV Series
True Blood  ·  10 Episodes
Legacy
Daughter of Ned Kopp
THX 1138 · Licence to Kill · The Fast and the Furious

“She didn’t learn filmmaking in a classroom. She learned it on the floor of some of the most demanding sets in Hollywood — and that changes how you write.”

Teri Anne Kopp came to writing the way most great writers come to it — through everything else first. Her IMDb profile spans 1989 to 2015, from Licence to Kill to True Lies to True Blood — 39 credits across art departments and property departments on features and television series that demanded precision, craft, and the ability to hold an entire world together behind the camera.

That world-building instinct is what she brought to Living on Hopes and Dreams. When Mike Isaacs told her what happened in those four days in the New Mexico mountains — the stranger climbing the hill through the dirt devil, the sandwiches by the fire, the Border Patrol officer who came and went, the phone that wouldn’t charge and the drivers who wouldn’t come — she heard a screenplay. Not a news story. Not a social media post. A film.

Her screenplay captures something rare: two men who have no reason to trust each other finding, across four days, that they are more alike than different. Michael, betting everything on a vision nobody else can quite see. Miguel, making his third and final paid attempt at a dream that keeps slipping away. Both of them living, as the title says, on hopes and dreams — and both of them changed by what happens when you stop long enough to make a sandwich for a stranger.

Teri is the daughter of Ned Kopp (1935–2020) — production manager, assistant director, and producer whose five-decade Hollywood career ran from George Lucas's THX 1138 (1971) through the James Bond franchise on Licence to Kill (1989) to The Fast and the Furious (2001). Ned accumulated 46 IMDb credits across production management, directing, and producing — and Teri was watching all of it. She didn't arrive in Hollywood wondering how it worked. She arrived knowing. That knowledge shows in every scene of this script: the pacing, the silence, the economy of dialogue, the way a campfire can hold two entire lives if you let it.

Selected Film & Television Credits
Licence to Kill
1989  ·  Art Department · Feature
The Taking of Beverly Hills
1991  ·  Assistant Set Decorator
The Christmas Box
1995  ·  TV Movie
True Lies
1994  ·  Art Department Coordinator
True Blood
2009–2010  ·  TV Series  ·  10 Episodes
Living on Hopes and Dreams
In Development  ·  Screenplay  ·  WGA: 2156326
Full IMDb Profile ↗
The Soundtrack

Living on Hopes and Dreams

The story needed music that could hold the weight of the desert — something that felt like a fire burning low, two men sitting in silence, and the mountains listening. The Living on Hopes and Dreams soundtrack is that music.

Written and produced to stand alongside the film as its own creative work, the soundtrack is streaming now on Bandcamp — nineteen tracks, free to listen, available to own. It is the first full expression of the LOHD world — before cameras roll, the music is already in the world.

Like the story it was written for, the soundtrack doesn’t ask you to feel a certain way. It puts you by the fire and lets you sit there.

Stream Now  ·  Bandcamp

Market Context

The Films LOHD Lives Beside

Three comparable films demonstrate the appetite — and the ceiling — for character-driven outdoor stories built on real human experience.

Outdoor Adventure  ·  Character-Driven
Arthur the King
2024 Lionsgate PG-13 1h 47m
Director Thea Sharrock
Starring Mark Wahlberg  ·  Simu Liu  ·  Juliet Rylance
Distributor Lionsgate Films
Genre Adventure  ·  Drama  ·  Sport
No major awards  ·  Strong audience reception
Budget
$19M
Worldwide
$40.8M
ROI
2.1×
🍅 Critics
69%
Rotten Tomatoes
🍿 Audience
98%
Rotten Tomatoes
LOHD Connection
Outdoor terrain as the crucible. An unlikely bond forged under extreme conditions. The animal instinct to keep going when quitting is the rational choice.
Nomadic Lifestyle  ·  Human Resilience
Nomadland
2020 Searchlight R 1h 47m
Director Chloé Zhao
Starring Frances McDormand  ·  David Strathairn
Distributor Searchlight Pictures
Genre Drama  ·  Road Film  ·  Character Study
🏆
Academy Award  ·  Best Picture
🏆
Academy Award  ·  Best Director · Chloé Zhao
🏆
Academy Award  ·  Best Actress · Frances McDormand
🏆
Golden Globe  ·  Best Motion Picture · Drama
🏆
BAFTA  ·  Best Film  ·  Best Direction
Budget
$5M
Worldwide
$39.5M
ROI
7.9×
🍅 Critics
93%
Rotten Tomatoes
🍿 Audience
82%
Rotten Tomatoes
LOHD Connection
Living in a vehicle. The American West as both setting and character. Quiet resilience over manufactured drama. Proof that the market rewards honest, spare storytelling.
Border Country  ·  American Identity
The Marksman
2021 Open Road PG-13 1h 48m
Director Robert Lorenz
Starring Liam Neeson  ·  Jacob Perez  ·  Juan Pablo Raba
Distributor Open Road Films
Genre Action  ·  Drama  ·  Thriller
No major awards  ·  #1 opening weekend · January 2021
Budget
$23M
Worldwide
$23.1M
Opening
$3.1M
🍅 Critics
39%
Rotten Tomatoes
🍿 Audience
73%
PostTrak
LOHD Connection
Southwest terrain. A man alone on his land. An unexpected stranger from across the border who forces a moral reckoning. Two worlds. One story.

Source: Box Office Mojo  ·  IMDbPro  ·  Rotten Tomatoes. The audience/critic gap across all three comparables tells the same story: real people connect with these films more than critics predict. That gap is the LOHD opportunity. At a $12M budget, the comparable range suggests meaningful upside with disciplined production.


A 110-Year Precedent

This model was invented
in 1914. By Henry Ford.

Between 1914 and 1924, Henry Ford and a circle of friends — Thomas Edison, Harvey Firestone, naturalist John Burroughs — took annual summer camping trips across America in their automobiles. They called themselves the Vagabonds. Ford brought a film crew. The newsreels ran in theaters nationwide.

For the first time, ordinary Americans watched the most celebrated men in the country park their cars in the wilderness, build fires, sleep under stars, and call it freedom. Ford wasn't documenting a vacation. He was manufacturing aspiration at industrial scale. The story created the space for the audience to see themselves in it. And then, conveniently, he gave them the tools to enter that world — a Model T from his dealership, a bag of Kingsford briquettes sold alongside it.

Ford was a complicated man. He fought the Dodge Brothers in court — not to protect shareholders, but because he wanted to reinvest profits into higher wages for his workers and lower prices for his customers. The Michigan Supreme Court ruled against him, enshrining shareholder supremacy as American legal doctrine. He lost that battle. But the one that mattered longer — the conviction that if more Americans could experience what he was experiencing in the wilderness, the world could be a better place — that one escaped the courtroom entirely.

You can't litigate a campfire. You can't foreclose on an idea once it's in the culture. The Vagabond newsreels seeded a movement that produced the American road trip, the RV industry, the national campground system, and the backyard grill. All of it traces back to a film crew following four men through the Smoky Mountains in 1918.

Better tools enable better experiences. Better experiences make better people. Better people are the only ones who can make a better world.

Mike Isaacs · Founder, Tymmber Outdoor · The principle Ford demonstrated. The mission Tymmber carries forward.
The Lineage · Story First, Product Second
1914 — The Vagabonds
Ford demonstrates the outdoor lifestyle from the vehicle. Film crews. Theatrical release. The audience sees themselves in the story.
1918 — Kingsford
Sawmill waste becomes charcoal briquettes. A Ford dealer becomes VP of 313,000 acres. The product that enables the experience, sold through the same channel as the vehicle.
1952 — George Stephen
A metalworker at Weber Brothers sees two buoy halves differently. The kettle grill. Every backyard in America. The experience, democratized.
2024 — Tymmber
Living on Hopes and Dreams is the film. The RAAK is the tool. Any vehicle with a hitch becomes the platform. The Hitch to Home system — finished, 110 years later.
The Constant
It always starts with the experience. It always scales with the story.
Ford · 1914  ↔  Tymmber · 2024
The Experience
Vagabond camping trips · wilderness · the open road
The Experience
9 years · 1,000+ nights · 30,000 miles · Sierra County, NM
The Story
Vagabond newsreels · theatrical release · national press
The Story
Living on Hopes and Dreams · WGA registered · Apple TV+ / Netflix / Amazon
The Tool
Kingsford briquettes · Ford Picnic Kit · sold at the dealership
The Tool
RAAK · any hitch · Hitch to Home ecosystem

Media Strategy

The story doesn't sell
the product. It creates the world
the product lives in.

268M
Americans the outdoor industry has never addressed in a relevant language
The Next Trillion →
$0
Cost of first customer engagement via content — no other outdoor company has this model
The Cascade Model →
$275K
Modeled lifetime value per sovereign living consumer through the full Hitch to Home ecosystem
Hitch to Home →
13.4%
YouTube's share of all US TV viewing — #1 platform, ahead of Netflix. Zero distribution cost.
Content Universe →
The integrated thesis: Content is not marketing — it is the on-ramp. Every film, audio episode, book, and AI story Tymmber produces moves a consumer from first outdoor experience toward sovereign living identity at zero customer acquisition cost. The $275K LTV at the end of the Hitch to Home journey begins with a story, not an advertisement. Read the full market case in The Next Trillion →

The question for investors is no longer just “What are you building?” but “What world are you creating?” In the new paradigm, the story doesn’t sell the product — the story creates the very context in which the product becomes essential. Henry Ford understood this instinctively. The Vagabond newsreels weren’t documentation — they were aspiration manufacturing. Tymmber is the same model, built for the 21st century.

Tymmber is built on a dual-entity model: a Product Arm that develops innovative outdoor hardware, and a Narrative Arm that creates compelling long-form content. The content tells the story. The hardware makes it real. See the Product Arm → Each stands independently. Each has its own team, its own P&L. And when both are strong on their own terms, their combination produces something no advertisement can buy: a world the consumer wants to live in, before they are ever offered the tools to get there.

Living on Hopes and Dreams is the first full expression of the Narrative Arm. The RAAK appears in Scene One — not as placement, but as the reason Michael could live and work from that mountain camp for months while building Tymmber. Miguel noticed it before he knew Michael’s name. That moment — a stranger recognizing the ingenuity of what you built — is the most authentic product introduction in any film ever made. And it happened in real life.

The numbers confirm what storytellers have always known. Coors Banquet saw a 14.2% sales surge in the first four weeks of its Yellowstone integration — no commercial, no ad buy, no interruption. Just a beer that fit the story. The global product placement market is now a $33 billion industry growing at double digits for four consecutive years. Traditional advertising is shrinking. Story-driven commerce is rising.

The target platform strategy is deliberate: Apple TV+ and Netflix for prestige content distribution, and Amazon as the ideal partner to bridge media and product — a company already distributing both content and physical goods to the same customer. LOHD is the film. The scripted series is the world. The Tymmber ecosystem is what that world is built from.

The Tymmber Framework  ·  Two Independent Entities
The Product Arm
Hardware, software, firmware. RAAK, CASITA, TRAILR, STUMP, SOLOPOD. Products that stand on their own merits — innovative, high quality, desirable independent of any story tie-in.
The Narrative Arm
Film, scripted series, documentary, music. Stories that stand on their own merits — compelling characters, real stakes, high production values. Successful with or without a product tie-in.

When both are strong independently, their combination creates something no advertisement can replicate: a world the consumer wants to live in, before they are ever offered the tools to get there.  —  Mike Isaacs, Founder · Tymmber Outdoor · September 2024

Global Market · 2024
$33B
Product placement worldwide
Growth · 4 Consecutive Years
Size vs. 2018 · Double-digit YoY
US Market · 2023
$16.5B
More than half of global spend
Case Study  ·  The Proof of Concept
Yellowstone & Landman
Taylor Sheridan  ·  Paramount Network  ·  2018–Present
Coors Banquet · Week 1–4
+14.2%
Sales surge · post-placement
Season 5 · Volume Growth
+3.5%
Volume  ·  +10.3% distribution

Yellowstone didn’t advertise Coors Banquet. It became Coors Banquet — every Bunkhouse scene, every Rip Wheeler moment. Landman followed the same model. The lesson: when the product fits the story, the story sells the product. The RAAK is in Scene One of LOHD for the same reason.

Source: PQ Media Global Product Placement Forecast 2024  ·  Shorty Awards  ·  Molson Coors earnings
Content Platform  ·  Primary
Apple TV+  ·  Netflix
Prestige character-driven drama. Both platforms have demonstrated appetite for quiet, human outdoor stories with moral complexity. CODA, Nomadland, The Power of the Dog — the comp set is established.
Product + Distribution Partner  ·  Ideal
Amazon
The rare platform that operates simultaneously as content distributor and product marketplace. The natural partner to connect the LOHD story to the Tymmber ecosystem — watch the film, discover the RAAK, continue the journey.
Long-term Arc
Scripted Series
LOHD as proof-of-concept for a scripted series exploring the Tymmber origin and the outdoor-as-wellness thesis. The film opens the door. The series walks through it.

Competitive Landscape  ·  Strategic Map

No One Else Is
Building This Combination.

Angel Studios (NYSE: ANGX) is the most instructive comparable in the independent content space — not because Tymmber replicates their model, but because they proved that community-first, values-driven content can scale to institutional size without institutional backing. Their Q1 2026 results show $115M in revenue and 2.2M paying guild members. They also show a stock down 84% from its high — the cost of a vertical niche so narrow it constrains the total addressable market. Meanwhile, the hardware brands that dominate outdoor retail have zero content strategy, zero community model, and zero AI capability. Tymmber operates in the white space none of them can reach.

$115M
Angel Studios Q1 2026 Revenue
First profitable quarter. Positive adj. EBITDA $4M.
2.2M
Paying Guild Members
$365M annualized recurring revenue from memberships.
−84%
Stock Price from Peak
ANGX at $2.89 vs. 52-week high of $20.39. The ceiling of a vertical niche, in numbers.
$0
Hardware Revenue
No product arm. No physical ecosystem. Content without the pipeline.
Full Competitive Matrix  ·  Content + Hardware + Platform

The Landscape.
The White Space.

✓ = Full capability  ·  ◯ = Marketing only / partial  ·  ✗ = None. Hardware brands have no content strategy. Content brands have no hardware. Nobody has both — and nobody has AI storytelling.

Thule Yakima YETI Traeger Airstream Angel Studios Tymmber
Hardware
Vehicle-Mounted Cooking & Workspace Platform RAAK · Any Hitch
Grid-Independent Shelter Solar option only CASITA · Solar Hut
Outdoor Audio System STUMP · EV Battery
Modular Cargo & Carry System Rack systems only Rack systems only KADDY · TOTE · KANOPY
Mobile Outdoor Kitchen Coolers only Grill only, no mobile RAAK · Coolr · KADDY
Trailerable Expandable Platform Fixed trailer only TRAILR · TRAILPOD
Outdoor Shelter & Shade System KANOPY · SOLOPOD
Floating Outdoor Platform FLOAAT
Content
Feature Film Theatrical releases LOHD · In Dev
YouTube / Video Distribution Marketing only Marketing only Brand films only Recipe/brand only Brand/lifestyle only Primary distribution Primary · Zero CAC
Music & Original Albums Franklin · Tesla · Bacon
Books & Publishing Recipe books only 5-book intellectual series
AI Storytelling Conversations Across Time
Audio Documentary Series Podcasts only The Awakening · 14 ep.
Product Placement Revenue Explicitly avoided Organic · Scene One · RAAK
Platform & Model
Zero-CAC Content Pipeline Content only · no hardware Content → $275K LTV
Community Membership Model 2.2M guild members Sovereign Circle
Location Based Education Tymmber U · GPS-triggered
AI Governance Framework Operational AI only Tymmber aI · HAO
Destination / Resort Infrastructure Dealer network only Carbon Free Resort · NM
The Conclusion
No One Else Is Standing Here.
Hardware brands have no content
Thule, Yakima, YETI, Traeger, and Airstream produce marketing content — not content businesses. No P&L. No community. No pipeline. They sell a product. They never build the world.
Content brands have no hardware
Angel Studios proved community content scales. Their ceiling is the niche they built it in — and without a hardware arm, every converted consumer eventually leaves their ecosystem to spend elsewhere.
Nobody has AI storytelling
Conversations Across Time is a new format. No hardware company, no content company, and no studio has claimed this territory. Tymmber already owns it — and it costs nothing to distribute.
Sources: Angel Studios Q1 2026 Earnings Call · GuruFocus/Yahoo Finance, May 2026  ·  ANGX Q1 2026 Highlights  ·  Nielsen Media Distributor Gauge July 2025  ·  PQ Media Global Product Placement Forecast 2024–2028  ·  Company filings: Thule Group AB, YETI Holdings, Weber-Stephen (Traeger), Thor Industries (Airstream)

Investment Inquiry

Be part of
the story.

We are raising $12M for production. If you are an accredited investor or production partner interested in learning more, leave your contact information and we will be in touch.

$12M Production Budget  ·  Now Raising
✓   We’ll be in touch. Thank you.
No obligation  ·  Accredited investors only  ·  Sierra County, New Mexico